"For a long time, flowers have been a major source of inspiration for my work. They are
alive, and I try to convey that sense of living. They grow, change, decay and metamorphose. In a drawing,
the sense of movement, structure and rhythms is expressed through the marks and lines; in a
painting, this is achieved through the balance and contrasts of colour. Whether the flowers are grouped in
a riotous bunch or [shown] singly, my aim is to reveal the particular feeling of that image - a
potent lily, a burst of spring or the battered remains of winter."
Nerys Ann Johnson was born on 1 October 1942, in Colwyn Bay, North Wales. Her family later moved to Mansfield, Nottinghamshire, where she grew up. For several years she was treated in hospital for childhood arthritis, and, by her own account, it was the colouring books brought to her there that initially sparked off her interest in painting.
In 1961, she went to study Fine Art (Painting and Art History) at King’s College, University of Durham, and made her home in the North East. After graduating, she taught Art for two years and, in 1967, was appointed Keeper of Fine Art at the Laing Art Gallery, Newcastle. In 1970, aged 28, she became Keeper-in-Charge of the Durham Light Infantry (DLI) Museum and Art Gallery, Durham, and went on to establish a national reputation as an innovative curator with wide-ranging interests.
As far as time allowed, given her demanding role, she would draw and paint. Initially, her focus was mainly on abstracts and landscapes, and as late as the mid-1990s, she was working on landscapes and townscapes, notably during two trips to Venice. However, over the years she had become increasingly absorbed in drawing and painting flower and plant forms.
In 1989, due to deteriorating health, she took early retirement, and was then able to devote herself fully to her artwork. Her output was prodigious, and her works were displayed in numerous exhibitions, either as sole artist or contributor. Increasingly confined to her flat, the inspiration she drew from flowers and foliage intensified. Flowers from her garden, or brought by her many friends, enabled her to get in close to her subject matter, exploring colour and structure in near-abstract compositions. She was also interested in flowers as they budded, bloomed and faded, her awareness of the tradition of painting flowers as emblems of mortality running parallel to her concern with movement, structure, line and contrast.
With the help of a devoted body of assistants, Nerys was able to continue painting – with colour increasing in intensity as the scale became smaller – until a few days before she was admitted to hospital, where, following an operation, she died on 12 June, 2001.Nerys A Johnson - Curator and Artist (1942-2001): information sheet.
Down Amongst the Plants (1997): a short film in which Nerys talks about her art.
Copyright © 2010 Nerys Johnson Estate. This page was last updated on 3 January 2015.